He explains his immersive museum installation CARNE y ARENA, which explores the lives of immigrants and refugees, and how the virtual reality technology of the piece allows the audience to live a fragment of the refugees’ journeys. As the first Mexican director to be nominated for an Academy Award (for his work on Babel), Iñárritu shares his thoughts on what it means to be associated with his Mexican nationality and how this has shaped the trajectory of his career. He details the process of making the The Revenant (2015) and the different decisions that made the film a success. Films addressed at length in the interview include 21 Grams (2003), Babel (2006), Biutiful (2010) and Birdman or (The Unexpected Virtue of Ignorance) (2014). Iñárritu recounts his experiences working with a number of the most influential names in Mexican cinema: director Alfonso Cuarón, cinematographer Emmanuel “Chivo” Lubezki, production designer Brigitte Broch and sound editor Martin Hernández. He talks about his 30-year friendship and collaboration with cinematographer Rodrigo Prieto, and how crucial Prieto’s work has been in the movies they developed together. He also talks about his different mentors: Ludwik Margules, Judith Weston, Ernesto Bolio and Thich Nhat Hanh, who have guided him in different ways throughout his life. Throughout the interview Iñárritu shares his most life-changing and life-affirming experiences, including his first romantic encounters, sailing across the Atlantic on a cargo ship, his days as a radio host, the years he spent working in commercial video production and the reasons why he moved from Mexico City to Los Angeles. #Yo no creo en los hombres capitulo 119 seriesHe reminisces about seeing films such as Chitty Chitty Bang Bang (1968) and American television series such as “The Twilight Zone” and “The Green Hornet.” He reflects on his relationship with his first childhood friend, Pelayo Gutiérrez, whom he credits with sparking his curiosity about cinema and introducing him to the literary worlds of Argentine writers Julio Cortázar, Jorge Luis Borges and Ernesto Sabato. He talks about his position in the family as the youngest of five siblings, his rebellious nature and his early schooldays. Un captulo de la memoria oral del exilio: los nios de Morelia. Iñárritu begins by discussing his childhood in Mexico City. Chapter Three: Returning Spanish refugees from France and Mexico, 1939. It is a co-production with the Getty Foundation’s Pacific Standard Time: LA/LA initiative and is part of the project From Latin America to Hollywood: Latino Film Culture in Los Angeles 1967-2017. Alejandro González Iñárritu is interviewed by María Elena de las Carreras at the Linwood Dunn Theater in Hollywood on August 30, 2017.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |